I will be donating 50% of this painting’s sale price to the Parkinson Alberta Society!
The paintings I create sometimes take a journey of their own. I started this prairie piece in March; my last canvas for my project in support of Parkinson Alberta. It felt a little lifeless to me though, after I’d had a chance to reflect on it.
In April I took a painting workshop given by Curtis Golumb, at Atlantis Framing. Curtis encouraged us all to consider shape, line and form in our compositions. I brought this piece and modified it as my final exercise in class. I found myself adding a variety of rich blues and purples to the foreground, plus cool reflected sky blues into the mid-ground. The result caught me by surprise. I feel a little unfamiliar with the result of this piece. It was, as Curtis described some brush work in one of my other paintings, ‘unexpected’.
I often paint with a lot of blue in my shadows, but the blue in this piece might persuade the viewer that there is water in the foreground. There wasn’t and I’m not even sure that’s what I was trying to represent. I just wanted to convey the color of the sky, in the land some how. Maybe there’s a story there about the meeting of earth and sky.
But then, maybe not. Maybe it was just because I loved those blues and purples. And that’s ok. Sometimes the best reason to choose a particular color is just it’s really pretty. You don’t have to figure out if it’s the right shade for reflected light; sweat over whether it’s the right value or temperature. Sometimes it’s ok not to have to decide. Just let the painting tell you what seems right for it’s journey instead.
Thanks for reading, and happy painting to all you artists out there. Cheryl.